Katharine Round
Artist & Filmmaker
CONTENTS
- The Divide
- Dearborn, Michigan
- Climate Symphony
- Flatline
- If The Oceans Could Speak
- Oil Coal and Gas for Three Cellos
- Twelve Thousand Years in Fragments
- Two Rooms
ABOUT
I make award-winning non-fiction films that are seen in cinemas, television, art galleries, online, and on the street. I’ve had support from the Arts Council, BFI, Creative Europe, Forma Arts, CPH:LAB, Dartmouth Films, Passion Pictures, the Guardian, Serpentine Galleries and many others.
My work is driven by a deep curiosity towards "ordinary" human beings: our contradictions, humanity and fallibility as we attempt to make sense of the world.
I often explore specific situations that illuminate wider thematic ideas, with formalist intervention to “provoke reality” and uncover new ways of seeing our lives. I don’t hide my presence and aim to question myself as much as I do others, and as such, I acknowledge a vision of the world through "imperfect" eyes: a cinema of lies as much as of truth.
This site acts as a notepad for past and ongoing work, I aim to share my evolving thought processes as well as the results.
My work is produced via Disobedient Films.
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CONTACT
Disobedient Films
10-28 Millers Avenue
London E8 2DS
For Sales Enquiries: info [@] disobedientfilms.com
Disobedient Films
10-28 Millers Avenue
London E8 2DS
For Sales Enquiries: info [@] disobedientfilms.com
To email me: katharineround [@] gmail dot com
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Home
About
Auto-portrait. Tazewell, Tennessee 2022I was born in the north of England in the late 70s. I have a deep fascination and curiosity about people so I spent most of my teenage years with a sketchpad in hand, sitting on the street, in parks, in pubs, observing life. I quickly realised my sketchpad gave me a means through which to encounter others. As I got older, I replaced the sketchpad with a camera.
I studied documentary film at Leeds University and from there took a wide range of roles as a director, producer, and development executive. I became involved with the rapidly burgeoning independent documentary sector, establishing Doc Heads as a means for filmmakers to meet and share independent, artistic work. These early years showed me that whilst there is no one way to approach a film, that working with “the real” means approaching each piece from the heart and with a curiosity to discover something I don’t already know. I only make films that I feel a connection to, and my work tends to arrive in the world in its own idiosyncratic way: in cinemas, television, in galleries, online, and on the street.
My films begin with encounters - often small, overlooked moments that open into more complex questions about how reality is constructed. I try and look at the things others feel are insignificant as it is often in the spaces in between that the more interesting contradictions of life are revealed. My films often include intersecting characters, formal invention, the poetic use of place and time, conversations in cars and mirrors, and the construction of “situations”. As time has gone on my work has become more personal and reflexive, often questioning the role of the filmmaker (and sometimes the viewer too) in inventing reality.
My latest film Ghost Town, which premiered at Visions du Réel 2026, explores the car as a provocative documentary situation and is the first in a trilogy of “road movies”. In some ways it builds on my first feature-length film, The Divide (2016), in its “mosaic” form. The Divide was supported by the BFI and Creative Europe, premiered at Sheffield Doc/Fest to widespread critical acclaim, had a national theatrical release across 200+ UK cinemas, and broadcast on Netflix.
I’ve also worked on a number of “symphony” films, producing the Michael Powell Award nominee London Symphony, and creating and directing the “live documentaries” Twelve Thousand Years in Fragments and Anthropocene in C Major, part of the collaborative multidisciplinary Climate Symphony project supported by CPH:DOX, Serpentine Galleries, Forma Arts and Arts Council England. Upcoming work includes the installation Two Rooms, and Keith & I.
I co-founded Disobedient Films in 2014, and filmmakers collective Doc Heads in 2009. In 2018 I was asked to run a summer school at UCL’s Open City Documentary School, which launched a parallel research and teaching practice that has informed and aided how I approach my films. I now work as a Lecturer and Studio Lead on the MA Ethnographic & Documentary Film at UCL, and am conducting AHRC-funded doctoral research at Queen Mary University through the London Arts and Humanities Partnership. I have also taught and given masterclasses at Royal Holloway, London Film School, Four Corners, Sheffield Doc/Fest, BAFTA and the Roundhouse, amongst others.